The Art of Andrew Wyeth by Wanda M. Corn, with contributions by Brian O'Doherty, Richard Merryman, and E.P. Richardson (Boston: New York Graphic Society, 1973)
The Commedia dell'Arte by Giacomo Oreglia, trans. by Lovett F. Edwards (London: Methuen, 1968)
The World of Harlequin: A Critical Study by Allardyce Nicoll (Cambridge: Cambridge University Press, 1963)
A History of the Theatre by George Freedley and John A. Reeves (NY: Crown, 1941)
"Then it came time to lay in Christina's figure against that planet I'd created for her all those weeks. I put this pink on her shoulder--and it almost blew me across the room."--Andrew Wyeth (38)
"And when I walk through the rows of blowing corn, I'm reminded always of the way a king must have felt walking down the long line of knights on horseback with banners blowing." --Andrew Wyeth (78)
Bibliolage is a performance—impromptu, self-interested, of rags and patches.
Arlecchino would know the score, and give a kick.
American art reclines on a field of sepia tone. How many tubes of burnt umber did Andrew milk forth?.
Along comes scissors and glue—right now I'm loving a pair of Allex slims and always Elmer's.
It's worth the gambol.